September 30th 2019: Festival season at the Irish Film Institute (IFI) shows no signs of slowing down in October with the return of its annual gorefest IFI Horrorthon and the Dublin Arabic Film Festival. As the only venue in Ireland capable of showing the format, the IFI is also delighted to present an Irish exclusive 70mm run of Todd Phillips’s acclaimed film Joker starring Joaquin Phoenix, Robert DeNiro, Zazie Beetz and Frances Conroy.
IFI Horrorthon returns on Thursday 24th for five more nights of bloody mayhem. The festival will open with Abe Forsythe’s Little Monsters; the film features Oscar winner Lupita Nyong’o as a kindergarten teacher looking to protect her class from a horde of zombies. Richard Stanley’s long awaited directorial follow-up to 1992’s Dust Devil, Color Out of Space, will screen on Saturday 26th. Starring Nicolas Cage, the film centres on a small town in the aftermath of a meteorite strike. Two new Irish films will also premiere at the festival: Paddy Murphy’s The Perished and Zoe Kavanagh’s short, Meat Cute.
Curated by Jim Sheridan and Zahara Moufid, the Dublin Arabic Film Festival, which runs from Friday 4th to Sunday 6th, once again showcases the very best of new Arab cinema. Highlights of this year’s programme include the opening gala screening of The Reports on Sarah and Saleem, Soudada Kaadan’s The Day I Lost My Shadow, and Mats Grorud’s The Tower. The festival will also welcome director Nour Eddine Lakhmari and producer Kadija Alami for a Q&A following the closing screening of Burnout.
Hot on the heels of its Golden Lion win at this year’s Venice Film Festival, Todd Phillips’s hotly anticipated Joker opens at the IFI exclusively in 70mm on Friday 4th. Joaquin Phoenix plays Arthur Fleck, a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study.
Other new releases in October include Paul Duane’s Best Before Death, following a sold out screening at last month’s IFI Documentary Festival; Shelly Love’s A Bump Along the Way; Land Without God, co-directed by Gerard Mannix Flynn, Maedhbh McMahon and Lotta Petronella; and Ian Fitzgibbon’s Dark Lies the Island; there will be a special preview screening of Dark Lies the Island on Thursday 17th, followed by a Q&A with director Ian Fitzgibbon and novelist Kevin Barry.
October sees the return of our popular autumn Evening Course which this year focuses on the the cinemas of East Asia. Screenings include Chang Cheh’s Golden Swallow, Hayao Miyazaki’s Princess Mononoke, and Park Chan-Wook’s The Handmaiden. As always, every screening will be followed by a talk from a specially invited guest.
Dermot Lavery and Michael Hewitt’s moving documentary Lost Lives will screen on Wednesday 30th. The film interweaves archival footage with recordings of family and friends as they respond to the devastating news of deaths during the Northern Irish Troubles. The film features readings by Kenneth Branagh, Brendan Gleeson, Roma Downey, and Liam Neeson. Lyra McKee, the journalist and writer murdered in April 2019, is the last victim to figure.
Other special screenings throughout the month include:
Tickets for IFI Horrorthon are available from www.ifi.ie/horrorthon – a range of Horrorthon multi-film and day passes are also available directly from the IFI Box Office. Tickets for the Dublin Arabic Film Festival are available from www.ifi.ie/daff. Tickets for all other special events are on sale now from the IFI Box Office on (01) 6793477 and from www.ifi.ie.
For further information and high-res images, please contact Frances Wilde (firstname.lastname@example.org) at the IFI Press Office – (01) 6795744.
IFI is principally funded by the Arts Council.
ABOUT THE IFI
The Irish Film Institute is Ireland’s national cultural institution for film. It provides audiences throughout Ireland with access to the finest independent, Irish and international cinema. It preserves and promotes Ireland’s moving image heritage through the IFI Irish Film Archive, and provides opportunities for audiences of all ages and backgrounds to learn and critically engage with film.
DEREK JARMAN: WITTGENSTEIN
IT’S A WONDERFUL LIFE
LA BELLE ÉPOQUE
The IFI is supported by The Arts Council