The Bigger Picture

Our monthly programme strand in which a key film is presented with an introduction from a guest in the context of a notional film canon.

 

PREVIOUS BIGGER PICTURE SELECTIONS:

April 2015 – Stalker (1979), dir: Andrei Tarkovsky, chosen by Donald Clarke

May 2015 – Persona (1966), dir: Ingmar Bergman, chosen by Lenny Abrahamson

June 2015 – Werckmeister Harmonies (2000), dir: Béla Tarr, chosen by Mark O’Halloran

July 2015 – The Tin Drum (1979), dir: Volker Schlöndorff, chosen by Neasa Hardiman

August 2015 – The Passion of Joan of Arc (1928), dir: Carl Dreyer, chosen by Tony Tracy

September 2015 – The Cranes are Flying (1957), dir: Mikhail Kalatozov, chosen by Douglas Smith

October 2015 – Throne of Blood (1957), dir: Akira Kurosawa, chosen by Derek O’Connor

November 2015 – The Discreet Charm of the Bourgeoisie (1972), dir: Luis Buñuel, chosen by David O’Mahony

January 2016 – Alien (1979), dir: Ridley Scott, chosen by Harvey O’Brien

February 2016 – The Spirit of the Beehive (1973), dir: Victor Erice, chosen by Michael Doherty

March 2016 – Kind Hearts and Coronets (1949), dir: Robert Hamer, chosen by Kevin Coyne

April 2016 – Metropolis (1926), dir: Fritz Lang, chosen by Lynn Scarff

May 2016 – Roger and Me (1989), dir: Michael Moore, chosen by Donald Taylor Black

June 2016 – Desert Hearts (1985), dir: Donna Deitch, chosen by Una Mullally

July 2016 – Tokyo Story (1953), dir: Yasujirô Ozu, chosen by Paul Lynch

August 2016 – Blazing Saddles (1974), dir: Mel Brooks, chosen by Tara Flynn

September 2016 – Glengarry Glen Ross (1992), dir: James Foley, chosen by Annmarie Gray

October 2016 – Network (1976), dir: Sidney Lumet, chosen by Bryan Dobson

November 2016 – Sullivan’s Travels (1941), dir: Preston Sturges, chosen by Anna Taylor

January 2017 – Shadows (1959), dir: John Cassavetes, chosen by Zélie Asava

February 2017 – Magnificent Obsession (1954), dir: Douglas Sirk, chosen by Steven Benedict

March 2017 – Singin’ in the Rain (1952), dir: Stanley Donen and Gene Kelly, chosen by Róise Goan

April 2017 – The Bitter Tears of Petra von Kant (1972), dir: Rainer Werner Fassbinder, chosen by Paul Duane

May 2017 –  The Go-Between (1971), dir Joseph Losey, chosen by Sarah Glennie

June 2017 – The Prime of Miss Jean Brodie (1969), dir Ronald Neame, chosen by Rory O’Neill

July 2017 – Children of Men (2006), dir Alfonso Cuarón, chosen by Ian Brunswick

August 2017 – Inside Out (2015), dir Pete Doctor, chosen by Trish Long

September 2017 – Titicut Follies (1967), dir Frederick Wiseman, chosen by Emer Reynolds

October 2017 – Saturday Night Fever (1976), dir John Badham, chosen by Ed King

November 2017 – La Regle du Jeu (1939), dir Jean Renoir, chosen by Paul Whitington

January 2018 – Ordinary People (1980), dir Robert Redford, chosen by Una Begley

February 2018 – The Sweet Hereafter (1997), dir Atom Egoyan, chosen by Stephen Boylan

March 2018 – Morvern Callar (2002), dir Lynne Ramsay, chosen by Willie White

April 2018 – A Taste of Honey (1961), dir Tony Richardson, chosen by Will St Leger

May 2018 – What’s Up, Doc? (1972), dir Peter Bogdanovich, chosen by Gráinne Humphreys

June 2018 – Jaws (1975), dir Steven Spielberg, chosen by Sinéad Gleeson

July 2018 – Victor/Victoria (1982), dir Blake Edwards, chosen by Bill Hughes

August 2018 – The Lovers on the Bridge (1991), dir Leos Carax, chosen by Paul Markey

September 2018 – Gates of Heaven (1978), dir Errol Morris, chosen by Ken Wardop

October 2018 – The Ascent (1977), dir Larisa Shepitko, chosen by Tara Brady

November 2018 – Mississippi Burning (1988), dir Alan Parker, chosen by Rónán Ó Muirthile

January 2019 – The Man Who Shot Liberty Valance (1962), dir John Ford, chosen by Dave Fanning

February 2019 – Red Dust (1932), dir Victor Fleming, chosen by Dr Megan McGurk

  • HEARTBURN (THE BIGGER PICTURE)

    This screening will be introduced by Emilie Pine, academic and author of Notes To Self.

    The late Nora Ephron is perhaps best remembered for her work on romantic comedies, most notably as screenwriter of When Harry Met Sally . .... Read More

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