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The place of Charlie Chaplin’s films in the canon is assured. Over a century after his first appearance, the Tramp persona remains instantly recognisable and beloved the world over. Chaplin began performing as a child, honing his skills in vaudeville. He moved to film in 1914, making shorts for Mack Sennett at Keystone Studios for $150 a week; within two years, at just 26 years of age, he was earning the staggering salary of $670,000. His popularity gave him the freedom to assert himself as a filmmaker, revealing Chaplin to be a pioneer whose technical innovations and deft mixture of comedy and pathos have proven incalculably influential. While he has been cited by subsequent giants of comedy such as Jacques Tati and Billy Wilder, it is perhaps more indicative of the quality and longevity of his work that it has been openly admired by international directors such as Satyajit Ray, Tarkovsky, Fellini, Kieślowski, Bresson, and Haneke.
A NEW HOLLYWOOD SEASON: BONNIE AND CLYDE 18.10
ARCHIVE AT LUNCHTIME: LET’S DANCE! (DOUBLE BILL) 12.45
BACKROOMS 20.40
ENZO 13.00, 18.30
GHOST IN THE MACHINE + Q&A 14.10
IFI FAMILY: MY FATHER’S DRAGON 12.00
OBSESSION 20.50
PORTRAIT OF A LADY ON FIRE (4K RE-RELEASE) 20.00
POWER BALLAD 10.50, 16.20
SPIELBERG SCI-FI: CLOSE ENCOUNTERS OF THE THIRD KIND 15.15
THE MISFITS (4K RESTORATION) 17.15
The IFI is supported by The Arts Council
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