A SEASON OF FOLK HORROR JULY 16th – 30th
Gaining traction in recent years, the term folk horror has been used to yoke together disparate cultural artefacts that exhibit common traits: an interest in paganism; traditional, rural communities with a connection to the land and its regenerative cycles; the importance of ritual and superstition over scientific rigour.
Three UK films are held as exemplars of the genre: Witch finder General (1968), The Wicker Man (1973) and Blood on Satan’s Claw (1971), and while they
are central to this season it is our intention to broaden the parameters of the definition to include earlier films that exhibit discernible folk horror traits; the ancient curse of Night of the Demon (1957) and the dreamscapes of Valerie and her Week of Wonders (1970) are antecedents of more readily classic fable folk horror cinema. More recently, The Blair Witch Project (1999) employed a folk horror mythology to popularise the emerging found-footage film.
The films collected in this season hope to argue
for the continued relevance of folk horror, not just
as an intriguing footnote to the horror genre, but as an uncanny seam of energy that reverberates and echoes through the earthier corners of popular culture; one need only look at recent cinematic examples
such as Robert Eggers’ The Witch (2015), and Ben Wheatley’s A Field in England (2013) – and even the accompanying film to Radiohead’s recent single,
Burn the Witch – to witness the continuing influence of folk horror tropes in contemporary image making.
Introduction and film notes by David O’Mahony
AN CAILÍN CIÚIN
ARCHIVE AT LUNCHTIME: WATER WAYS
13.10 (free tickets from IFI Box Office)
EVERYTHING EVERYWHERE ALL AT ONCE
FIRE OF LOVE
HIT THE ROAD
HOLE IN THE HEAD
WHEN EUROPE MADE HOLLYWOOD: QUEEN CHRISTINA
WHERE IS ANNE FRANK
The IFI is supported by The Arts Council