Bergman charts the complex relationship between two outsiders in this assured early film; Port of Call, with its shades of Rossellini’s social realist ethos and location shooting, presages the existential explorations that would define his later works. Berit (Nine-Christine Jönsson), a young woman haunted by a troubled past, is released from a reformatory; she grapples with societal judgment, a strained relationship with her domineering mother, and her feelings of alienation. Berit’s unexpectedly falls for Gösta (Bengt Eklund), a sailor who offers her hope for a fresh start. As their relationship deepens, both characters confront their inner fears and the weight of their pasts.

Notes by David O’Mahony.

This film screens as part of BETWEEN HEAVEN AND HELL: THE FILMS OF INGMAR BERGMAN.

See the full collection of films on IFI@Home, launching February 1st.