As the decade dawned, Billy Bob Thornton’s credits included films such as Chopper Chicks in Zombietown (Dan Hoskins, 1989). In what would become a commonplace move for frustrated talent, he and co-writer Tom Epperson took the initiative and created a vehicle for Thornton’s talents. Joining with director Carl Franklin, who had been languishing in Roger Corman’s stable, the result was the gripping One False Move. A smalltown Arkansan sheriff senses opportunity when two L.A. cops track a trio of violent fugitives in his jurisdiction. Beneath its complex neo-noir trappings is an insightful study of race and class divisions in America.

Notes by Kevin Coyne.

Screening as part of the American Independents season.