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From importing prints from four different countries, setting up your own electronic subtitling system, running 35mm projectors at slower speeds than normal, translating inter-titles, and arranging musical accompaniment for silent titles… Peter Walsh writes on the early films by CARL DREYER, to be screened as part of a major retrospective of one of cinema’s most influential directors – read more in our blog [here].
The IFI is supported by The Arts Council
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