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Director
Thaddeus O'Sullivan
Credits
Producer: Margaret Williams
Category
DocumentaryShort
Rarely screened since the early 1980s, this under-discussed film offers a visual biographical essay on one of Ireland’s leading painters of the twentieth century. O’Sullivan’s subject was a London-born Irish artist whose creative and personal journey mirrors that of the filmmaker. Yeats trained at art school in west London, and his early career was as an illustrator for a number of London newspapers. His painting developed through specific stages, from figurative landscapes/scenes to more abstract work. Researched and written by O’Sullivan, the film skilfully combined a number of different creative treatments to bring the director’s subject alive on screen. Its effect is to produce an engaging audio-visual montage, through which is woven a twin-narration of voice-over tracks. The film is an auto/biographical visual essay that expresses O’Sullivan’s understanding of Yeats’ views on the nature of art and creativity. The central notion here, providing O’Sullivan’s film with its title, is the relationship between art and memory, for Yeats claims that “no one creates … the artist assembles memories”.
Notes by Lance Pettitt.
37 minutes, UK, 1981, Colour
ANORA 20:20
ARCHIVE AT LUNCHTIME: FRENCH CONNECTIONS (DOUBLE BILL) 12:10
FRENCH FILM FESTIVAL: A WOMAN OF PARIS 12.00
FRENCH FILM FESTIVAL: BEATING HEARTS 19.50
FRENCH FILM FESTIVAL: LA MUSICA 14.00
FRENCH FILM FESTIVAL: NIKI + Q&A 14.15
FRENCH FILM FESTIVAL: OUT OF SEASON 16.50
FRENCH FILM FESTIVAL: STÉPHANE BRIZÉ IN CONVERSATION 12.30
HOUSEWIFE OF THE YEAR 13:40, 18:30
SMALL THINGS LIKE THESE 16:00, 18:10
SOUNDTRACK TO A COUP D’ETAT 15:30
THE ROOM NEXT DOOR 20:30
The IFI is supported by The Arts Council