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PROGRAMME TWO

SELF PORTRAIT WITH RED CAR

Collaborating with Joe Comerford (camera) and Roger Doyle (music), the film finds painter Brian Bourke caught in an absurd acoustic situation in Connemara. Bob Quinn explores how sound controls our visual perception – “take one picture and put 100 different sounds behind it, the picture will assume 100 different meanings.”

Dir. Bob Quinn. 20 mins, Ireland, 1976, Digital

Notes by Sunniva O’Flynn.

See also From The Vaults: Cinegael Paradiso, screening in honour of Bob Quinn’s latest book release Count Me Out – Selected Writings of Filmmaker Bob Quinn.