Classic films are those which have a timeless appeal and will resonate with audiences long after their initial release. Here you will find films made by Irish filmmakers but also films made by British and American directors drawn to Ireland by its dramatic landscape, its culture, its music and also by the narrative potential of its turbulent historical past. The Classic film selection includes a broad sweep of films that ranges from the Kalem collection of the silent era through to lavish Hollywood delights like The Quiet Man in the 1950s right up to more recent titles such as The Commitments and John Huston’s The Dead, all of which will continue to delight audiences for generations to come.
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Lenny Abrahamson, 83 minutes, 2004
Abrahamson’s first feature and his first collaboration with actor/writer Mark O’Halloran grew from an idea concerning the lives of the inner-city junkies that O’Halloran passed daily on the streets of Dublin. Eschewing a socially realist approach to their material, director…Harry O'Donovan, 65 minutes, 1938
The comedy classic features much-loved Irish actor Jimmy O’Dea, playing a salesman working along the Irish Border who runs into trouble when he encounters jewel thieves. Cross-border rivalry plays out between a Garda, played by Noel Purcell (Moby Dick, 1956…George Pollock, 77 minutes, 1959
Absurdities mount up in this freewheeling 1950s comedy about impulsive TV producer Tony (Tony Wright) and his efforts to produce a show about Patrick Farrell (Barry Fitzgerald), a man who claims to be the oldest person in the world Much…Neil Jordan, 110 minutes, 1997
Neil Jordan's twisted version of a coming of age story, The Butcher Boy brings the viewer into the bizarre world of Francie Brady (Eamonn Owens). With an alcoholic father (Stephen Rea) and suicidal mother (Aisling O’Sullivan) at home, Francie lives…Alan Parker, 118 minutes, 1991
Voted the best Irish film ever made in a poll sponsored by Jameson Whiskey in 2005, The Commitment’s charts the unlikely journey of Dublin soul band ‘The Commitments’. Ambitious Jimmy Rabbitte (Robert Arkins) takes control of his friend’s struggling wedding…Neil Jordan, 112 minutes, 1992
Shot in parlous circumstances as its British producers neared bankruptcy, Jordan’s portrait of an IRA gunman embracing his humanity in unexpected circumstances proved the pivotal moment in his career, after an ingenious U.S. marketing campaign swept the film all the…John Huston,
John Huston's film, The Dead, is an adaptation of perhaps one of the greatest pieces of English- language literature by one of Huston's favourite authors, James Joyce. It has been described as a love letter to the land of his…John Huston, 83 minutes, 1987
Always the most literary and philosophical of the great Hollywood directors, Huston used this adaptation of the James Joyce story to furnish a portrait of his own artistry as an old man, turning the film into a serene song of…Jim Sheridan, 110 minutes, 1990
Jim Sheridan’s second film was an epic tale of land rights and murder. The Field had initially been adapted with Ray McAnally – so wonderful as Mr Brown in My Left Foot – in mind, but the actor’s unexpected death…
ARCHIVE AT LUNCHTIME: FRENCH CONNECTIONS (DOUBLE BILL)
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FRENCH FILM FESTIVAL: A WOMAN OF PARIS
12.00
FRENCH FILM FESTIVAL: BEATING HEARTS
19.50
FRENCH FILM FESTIVAL: LA MUSICA
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FRENCH FILM FESTIVAL: NIKI + Q&A
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FRENCH FILM FESTIVAL: OUT OF SEASON
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FRENCH FILM FESTIVAL: STÉPHANE BRIZÉ IN CONVERSATION
12.30
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SOUNDTRACK TO A COUP D’ETAT
15:30
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