IFI Press Release: 28th March 2013
The films of Spain’s greatest living filmmaker, Pedro Almodóvar, are screening this April at the IFI alongside a satellite Q+A with the director at a special preview of his upcoming release I’m So Excited.
The IFI are celebrating the unique vision of director of Pedro Almodóvar with a season of his films from April 2nd-24th. Following the death of Franco in 1975, the ‘Movida Madrileña’heralded a counter-cultural renaissance celebrating hedonism, transgression, and above all, freedom of expression. Feverishly creative and consistently impressive, filmmakerAlmodóvar, has become the movement’s most celebrated almunus and a major figure in European cinema.
Almodóvar’s early work reflects the headiness of those post-Franco years. The films are riotous, slapdash, and frequently gaudy but set the rich palette of themes, styles and colours that have been evident throughout his career. Three of these early films are shown in this season; 1982’s Labyrinth of Passion, the story of Sexillia, pop star, nymphomaniac, and our heroine;Oscar-nominated Women on the Verge of a Nervous Breakdown, his international breakthrough from 1988, is a joyous sexy romp with an intricate plot; High Heels, made in 1991, is a more (though not entirely) straightforward mother-daughter melodrama and signposts his subsequent works’ greater emotional depth.
All About My Mother (1999) was a watershed moment for Almodóvar’s career. Its exquisite maze of plotlines, full of warmth and pathos, deservedly won the Oscar for Best Foreign Language Film. The film showed him refine his overall approach and perfect the manner in which he pays homage to other works in his films ( in this case a scene from John Cassavetes’ Opening Night), now a trademark of his style.
The films since All About My Mother represent a rich seam of form and are screening in the IFI’s season. Films such as Talk to Her (2002) and The Skin I Live in (2012) have shown the director create deeply transgressive stories about renegade medics, the blurring lines between hostage and patient and the nature of interior and exterior identity. Volver (2006) delves into the feminine world of small town Spain, creating resolute, witty and indomitable characters with which to explore sexual abuse, murder and terminal illness.
Broken Embraces (2009) and Bad Education (2004)both involve filmmakers at work, just one of the performance mediums such as theatre and dance that Almodóvar uses to reflect and examine the artistic process. They are fascinating studies of artists at work in films that are more like sprawling internal landscapes of the psyche and you can be sure, as always, nothing is even close to what seems.
It’s a group of films that have seen the director live up to his growing reputation as a world-class film auteur, whilst consistently connecting with international audiences including a large following among Irish filmgoers. A new Almodóvar is now a cinematic event and there’ll be no shortage of buzz around the special preview of I’m So Excited on April 23rd, ten days before its cinema release on 3rd May, including a chance to quiz the director himself, via satellite, in a post-show Q+A.
Focus on Pedro Almodóvar – Listings Details
Labyrinth of Passion 2nd April 18.30
Women on the Verge of a Nervous Breakdown 8th April 18.30
High Heels 13th April16.20
All About My Mother 14th April 15.20
Talk To Her 15th April 19.00
Bad Education 20th April 17.00
Volver 21st April 17.00
Broken Embraces 22nd April 18.30
PREVIEW: I’m So Excited followed by a satellite Q+A with Pedro Almodóvar 23rd April 18.30
The Skin I Live In 24th April 18.30
FREE AFTERNOON TALK: The intimate metropolis of Almodóvar – Professor Hugh Campbell of the UCD School of Architecture – 25th April 16.00
Tickets are available for the Harmony Korine- Breaking Out at the IFI from Thursday March 28th on 01 679 3477 or online at www.ifi.ie
For more information and images please contact Patrick Stewart at the IFI Press Office on firstname.lastname@example.org or 01 679 5744
The IFI acknowledges the financial support of the Arts Council.
The IFI is supported by The Arts Council