Jia Zhangke’s typically enigmatic film follows the intersecting trajectories of a small-time hoodlum and the woman who sacrifices her freedom for him. As is often the case with this director’s work, the action takes place at the beginning of the... Read More
BOOK NOW Times: 15.20
EXCLUSIVELY AT IFI.
Since 2014 the war in the Donbass region of eastern Ukraine has been raging between pro-Russian separatists loyal to Putin and nationalists who sympathise with Europe and the west. Memories of World War II and Stalin’s purges... Read More
When Frances (Chloë Grace Moretz) finds a handbag on the subway, she doesn’t think twice about tracking down its rightful owner, who turns out to be Greta (Isabelle Huppert), a lonely piano teacher in desperate need of company. Struggling to... Read More
BOOK NOW Times: 13.00, 20.45
2008’s Il Divo, a biopic of former Italian prime minister Giulio Andreotti, remains one of Paolo Sorrentino’s most critically and commercially successful films. A decade later, he has returned to politics, this time focusing on the career of Silvio Berlusconi,... Read More
BOOK NOW Times: 15.10
At first glance, A Sense of Loss may seem like a conventional talking-head documentary exploration of Northern Ireland in the aftermath of Bloody Sunday. However, whereas the talking-head format is typically used as a way of filling out a linear... Read More
BOOK NOW Times: 18.15
Join members of the IFI team for a discussion following the 18.15 screening on Monday 29th.
On leave from her exhausting work as a paramedic in Cologne, Rieke (Susanne Wolff), a skilled amateur sailor, is navigating her... Read More
Times: 13.15, 21.00
This film closes on Thursday, May 9th.
This debut feature from the Tohill Brothers will no doubt prove to be one of the year’s strongest Irish releases, a downbeat but canny mix of thriller and western tropes.
Callahan (Moe Dunford)... Read More
BOOK NOW Times: 14.00, 16.10, 18.20, 20.30
BIRDS OF PASSAGE
13.10, 15.45, 20.10
DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB
EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE
FLOAT LIKE A BUTTERFLY
MEMORY ON FILM: MEMENTO
WOMAN AT WAR
The IFI is supported by The Arts Council