The arduous journey of a rural Congolese charcoal maker (makala means coal in Swahili) as he first prepares and then transports his precarious burden on top of a bicycle to sell in town is the unlikely subject of Emmanuel Gras’s profoundly moving, experiential film, a deserving winner of the Best Film at the 2017 Cannes FilmFestival’s Critics’ Week.
The director shadows his subject – twenty-eight-year-old Kabwita Kasongo – on his lengthy and gruelling trek without engaging in or resorting to sentiment, and as such Makala is an extraordinary piece of documentary observation.
Notes by David O’Mahony.